We sat in the adjacent kitchen in the dark--for we dared not strike a light--and ate bread and ham, and drank beer out of the same bottle. The curate, who was still timorous and restless, was now, oddly enough, for pushing on, and I was urging him to keep up his strength by eating when the thing happened that was to imprison us.

"It can't be midnight yet," I said, and then came a blinding glare of vivid green light. Everything in the kitchen leaped out, clearly visible in green and black, and vanished again. And then followed such a concussion as I have never heard before or since. So close on the heels of this as to seem in- stantaneous came a thud behind me, a clash of glass, a crash and rattle of falling masonry all about us, and the plaster of the ceiling came down upon us, smashing into a multitude of fragments upon our heads. I was knocked headlong across the floor against the oven handle and stunned. I was insensible for a long time, the curate told me, and when I came to we were in darkness again, and he, with a face wet, as I found afterwards, with blood from a cut forehead, was dabbing water over me.

For me some time I could not recollect what had happened. Then things came to me slowly. A bruise on my temple as- serted itself.

"Are you better?" asked the curate in a whisper.

At last I answered him. I sat up.

"Don't move," he said. "The floor is covered with smashed crockery from the dresser. You can't possibly move without making a noise, and I fancy THEY are outside."

We both sat quite silent, so that we could scarcely hear each other breathing. Everything seemed deadly still, but once something near us, some plaster or broken brickwork, slid down with a rumbling sound. Outside and very near was an intermittent, metallic rattle.

"That!" said the curate, when presently it happened again.

"Yes," I said. "But what is it?"

"A Martian!" said the curate.

I listened again.

"It was not like the Heat-Ray," I said, and for a time I was inclined to think one of the great fighting-machines had stumbled against the house, as I had seen one stumble against the tower of Shepperton Church.

Our situation was so strange and incomprehensible that for three or four hours, until the dawn came, we scarcely moved. And then the light filtered in, not through the window, which remained black, but through a triangular aperture between a beam and a heap of broken bricks in the wall behind us. The interior of the kitchen we now saw greyly for the first time.

The window had been burst in by a mass of garden mould, which flowed over the table upon which we had been sitting and lay about our feet. Outside, the soil was banked high against the house. At the top of the window frame we could see an uprooted drainpipe. The floor was littered with smashed hardware; the end of the kitchen towards the house was broken into, and since the daylight shone in there, it was evident the greater part of the house had collapsed. Con- trasting vividly with this ruin was the neat dresser, stained in the fashion, pale green, and with a number of copper and tin vessels below it, the wallpaper imitating blue and white tiles, and a couple of coloured supplements fluttering from the walls above the kitchen range.

“Beautiful!” she would murmur, nudging Septimus, that he might see. But beauty was behind a pane of glass. Even taste (Rezia liked ices, chocolates, sweet things) had no relish to him. He put down his cup on the little marble table. He looked at people outside; happy they seemed, collecting in the middle of the street, shouting, laughing, squabbling over nothing. But he could not taste, he could not feel. In the tea-shop among the tables and the chattering waiters the appalling fear came over him—he could not feel. He could reason; he could read, Dante for example, quite easily (“Septimus, do put down your book,” said Rezia, gently shutting the Inferno), he could add up his bill; his brain was perfect; it must be the fault of the world then—that he could not feel.

“The English are so silent,” Rezia said. She liked it, she said. She respected these Englishmen, and wanted to see London, and the English horses, and the tailor-made suits, and could remember hearing how wonderful the shops were, from an Aunt who had married and lived in Soho.

It might be possible, Septimus thought, looking at England from the train window, as they left Newhaven; it might be possible that the world itself is without meaning.

At the office they advanced him to a post of considerable responsibility. They were proud of him; he had won crosses. “You have done your duty; it is up to us—” began Mr. Brewer; and could not finish, so pleasurable was his emotion. They took admirable lodgings off the Tottenham Court Road.

Here he opened Shakespeare once more. That boy’s business of the intoxication of language—Antony and Cleopatra—had shrivelled utterly. How Shakespeare loathed humanity—the putting on of clothes, the getting of children, the sordidity of the mouth and the belly! This was now revealed to Septimus; the message hidden in the beauty of words. The secret signal which one generation passes, under disguise, to the next is loathing, hatred, despair. Dante the same. Aeschylus (translated) the same. There Rezia sat at the table trimming hats. She trimmed hats for Mrs. Filmer’s friends; she trimmed hats by the hour. She looked pale, mysterious, like a lily, drowned, under water, he thought.

“The English are so serious,” she would say, putting her arms round Septimus, her cheek against his.

Love between man and woman was repulsive to Shakespeare. The business of copulation was filth to him before the end. But, Rezia said, she must have children. They had been married five years.

They went to the Tower together; to the Victoria and Albert Museum; stood in the crowd to see the King open Parliament. And there were the shops—hat shops, dress shops, shops with leather bags in the window, where she would stand staring. But she must have a boy.

She must have a son like Septimus, she said. But nobody could be like Septimus; so gentle; so serious; so clever. Could she not read Shakespeare too? Was Shakespeare a difficult author? she asked.