He had toiled painfully down the ravine, and on to this little elevation, in the vain hope of seeing some signs of water. Now the great salt plain stretched before his eyes, and the distant belt of savage mountains, without a sign anywhere of plant or tree, which might indicate the presence of moisture. In all that broad landscape there was no gleam of hope. North, and east, and west he looked with wild, questioning eyes, and then he realized that his wanderings had come to an end, and that there, on that barren crag, he was about to die. “Why not here, as well as in a feather bed, twenty years hence?” he muttered, as he seated himself in the shelter of a boulder.

Before sitting down, he had deposited upon the ground his useless rifle, and also a large bundle tied up in a gray shawl, which he had carried slung over his right shoulder. It appeared to be somewhat too heavy for his strength, for in lowering it, it came down on the ground with some little violence. Instantly there broke from the gray parcel a little moaning cry, and from it there protruded a small, scared face, with very bright brown eyes, and two little speckled dimpled fists.

“You’ve hurt me!” said said a childish voice, reproachfully.

“Have I, though?” the man answered penitently; “I didn’t go for to do it.” As he spoke he unwrapped the gray shawl and extricated a pretty little girl of about five years of age, whose dainty shoes and smart pink frock with its little linen apron, all bespoke a mother’s care. The child was pale and wan, but her healthy arms and legs showed that she had suffered less than her companion.

“How is it now?” he answered anxiously, for she was still rubbing the tousy golden curls which covered the back of her head.

“Kiss it and make it well,” she said, with perfect gravity, showing the injured part up to him. “That’s what mother used to do. Where’s mother?”

“Mother’s gone. I guess you‘ll see her before long.”

“Gone, eh!” said the little girl. “Funny, she didn’t say good-bye; she most always did if she was just goin’ over to auntie’s for tea, and now she‘s been away three days. Say, it’s awful dry, ain’t it? Ain‘t there no water nor nothing to eat?”

“No, there ain’t nothing, dearie. You‘ll just need to be patient awhile, and then you’ll be all right. Put your head up ag‘in me like that, and then you’ll feel bullier. It ain‘t easy to talk when your lips is like leather, but I guess I’d best let you know how the cards lie. What’s that you‘ve got?”

“Pretty things! fine things!” cried the little girl enthusiastically, holding up two glittering fragments of mica. “When we goes back to home I’ll give them to brother Bob.”

“You’ll see prettier things than them soon,” said the man confidently. “You just wait a bit. I was going to tell you though — you remember when we left the river?”

Punctually at eleven o’clock, the carriages began to arrive. There was a stir in the crowd at the gate, a concentration as a carriage drove up, wedding guests were mounting up the steps and passing along the red carpet to the church. They were all gay and excited because the sun was shining.

Gudrun watched them closely, with objective curiosity. She saw each one as a complete figure, like a character in a book, or a subject in a picture, or a marionette in a theatre, a finished creation. She loved to recognise their various characteristics, to place them in their true light, give them their own surroundings, settle them for ever as they passed before her along the path to the church. She knew them, they were finished, sealed and stamped and finished with, for her. There was none that had anything unknown, unresolved, until the Criches themselves began to appear. Then her interest was piqued. Here was something not quite so preconcluded.

There came the mother, Mrs Crich, with her eldest son Gerald. She was a queer unkempt figure, in spite of the attempts that had obviously been made to bring her into line for the day. Her face was pale, yellowish, with a clear, transparent skin, she leaned forward rather, her features were strongly marked, handsome, with a tense, unseeing, predative look. Her colourless hair was untidy, wisps floating down on to her sac coat of dark blue silk, from under her blue silk hat. She looked like a woman with a monomania, furtive almost, but heavily proud.

Her son was of a fair, sun–tanned type, rather above middle height, well–made, and almost exaggeratedly well–dressed. But about him also was the strange, guarded look, the unconscious glisten, as if he did not belong to the same creation as the people about him. Gudrun lighted on him at once. There was something northern about him that magnetised her. In his clear northern flesh and his fair hair was a glisten like sunshine refracted through crystals of ice. And he looked so new, unbroached, pure as an arctic thing. Perhaps he was thirty years old, perhaps more. His gleaming beauty, maleness, like a young, good–humoured, smiling wolf, did not blind her to the significant, sinister stillness in his bearing, the lurking danger of his unsubdued temper. ‘His totem is the wolf,’ she repeated to herself. ‘His mother is an old, unbroken wolf.’ And then she experienced a keen paroxyism, a transport, as if she had made some incredible discovery, known to nobody else on earth. A strange transport took possession of her, all her veins were in a paroxysm of violent sensation. ‘Good God!’ she exclaimed to herself, ‘what is this?’ And then, a moment after, she was saying assuredly, ‘I shall know more of that man.’ She was tortured with desire to see him again, a nostalgia, a necessity to see him again, to make sure it was not all a mistake, that she was not deluding herself, that she really felt this strange and overwhelming sensation on his account, this knowledge of him in her essence, this powerful apprehension of him. ‘Am I REALLY singled out for him in some way, is there really some pale gold, arctic light that envelopes only us two?’ she asked herself. And she could not believe it, she remained in a muse, scarcely conscious of what was going on around.